Life after Life Wojciech Wilczyk 27.03 - 16.04.2009
Opening: Friday 27 March 18h00
curator: Adam Mazur (Warsow Zamek Ujazdowski Center of Contemporary Art).
Car fetishes, former owners cannot abandon, transform into side roads monuments, poetic collages, poor relatives of stylized advertisements of motor business, completely magical objects...
supported by The Polish Cultural Institute in Bucharest
Friday, March 13, 2009
Evolution and Strategies of Italian Fashion System Monday 16 March 2009 18h00 Presented by Fabrizio Tovaglieri (Istituto Marangoni)
The lecture aims to introduce the main features of the Italian fashion system. More precisely, the presentation will stress the value of the Italian fashion industry in terms of total turnover, employment rate and commercial balance through a snapshot of some key economic data. In order to understand the origins of Italian Fashion System, a look will be also shed towards the time of French haute couture and to some French styling campaigns from the 40’s and 50’s.The focus will be then shifted to some success factors of the Italian fashion system and, namely, the supply chain, the diversified structure of industrial fashion groups, the industry clusters, creativity and the unique combination of image and communication, i.e. the role of styling. Some concluding remarks on careers in fashion will be made at the end of the presentation. Summary: Part 1 – The Italian Fashion System, key economic data Part 2 – The time of French fashion Part 3 – From French Haute couture to Italian “prêt-à-porter” Part 3.1 – The role of Italian textile companies and fashion designers Part 3.2 – Main Italian fashion designers Part 4 – Features of Italian fashion industry Part 4.1 – The supply chain Part 4.2 – Fashion industrial groups Part 4.3 – Industry Clusters (Business clusters and Geographic Clusters) Part 4.4 – Creativity Part 4.5 – The value of image and communication: Styling Part 4.6 – Styling projects Part 5 – Careers in the Fashion System Part 6 – Questions and Answers session
Curators: Ann Albritton (Ringling College of Art and Design, FL) Elaine O’Brien (Sacramento State University, CA) Carmen Iovitu (MNAC, Bucuresti), Mirela Ivanciu (Universitatea Nationala de Arte, Bucuresti)
TRACES: CONTEMPORARY ROMANIAN ART presents sixteen young Romanian artists who—sometimes straightforwardly and often ironically—explore issues of culture as well as gender through a variety of work: photography, videos, hand sewn projects, small objects, and paintings.
The exhibition first traveled to CIAC Gallery in Pont Aven, France, July 12 to August 14, 2008; to the Robert Else Gallery, Sacramento State University, Sacramento, CA from Sept. 2 to Oct. 15, 2008; and to the Selby Gallery, Sarasota, from Nov. 14 to Dec. 16, 2008
Supported by the Romanian Cultural Institute in New York
UNAgaleria (10 G-ral Budisteanu, Bucharest)is the exhibiting space of the Bucharest National University of Arts, dedicated to the organisation of events – exhibitions, seminars, workshops, round tables, interdisciplinary projects – that promote the university and foster creativity and innovation in the academic curriculum as well as the other activities of students and professors.
UNAgaleria is run by a curatorial board that proposes, selects and coordinates the activities taking place in this venue. The board members have different backgrounds and specific responsibilities in organising and coordinating gallery events.
The yearly programme of the gallery is launched through semestrial calls for projects; proposals come from students and professors from the university as well as from guest artists and curators.